7/7: Modjaji and How To Love A Woman’s feet

1. When I interviewed renown Editor Ellah Wakatama Allfrey last year about her experience as an editor, she said that as a temp at Penguin, she remembered walking into the building on her first day and thinking, Oh My God. This is my tribe of people. I understood exactly what she meant last week when I walked into Colleen Higgs’ house to begin the six weeks of my editing and publishing internship with Modjaji Books.

 I was awarded the internship last year by African Writers Trust after the Editorial Workshop that Ellah Allfrey and Vimbai Shire conducted in June last year, courtesy of Commonwealth Writers and  African Writers Trust. I was meant to go to Namibia in the first place but I was denied a visa because according to them, as a Ugandan, I could have had Ebola and they were not willing to take that chance (*side eye). You can imagine how happy I was when Colleen Higgs of Modjaji Books (South Africa), who I met very briefly in November at the African Women Writers Initiatives meeting in Milan, said she could have me this year.

Modjaji Books is an independent feminist press that is changing the lives of South African women and giving a platform for their voices to be heard. People may describe it as a small press but after seven years, there is nothing small about the work Colleen is doing. Modjaji Books publishes those stories that traditional publishers might need a lot of convincing to publish, even though they are stories that must, must be told. From poetry anthologies, to non-fiction to fiction (novels and short story collections), Young Adult series, Modjaji is doing it. I spent my first week reading some Modjaji Books and I wished I could read books the way Mike Ross does in the TV series, Suits!

Our Modjaji table at a teacher's conference last Saturday. Go on. Jusge them by their covers.
Our Modjaji table at a teacher’s conference last Saturday. Go on. Jugde them by their covers.

There is really nothing like meeting people you know will understand you when you explain your passion, when you get excited about books and writing and who are willing to teach you what they can about things that they had to learn the hard way. Without even saying do this or that, I have already learnt so much from listening to the conversations Colleen has with her business partner, Emily Buchanan and Modjaji’s Isabel Richie.

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So I am here, ready to learn as much as I can and I will share my lessons here every so often. I have found my tribe of people, you guys!

2. I spend most of my writing/reading life gushing about Toni Morrison but I am going to keep this short today. My literary boo has a new story out over at The New Yorker: 

I wasn’t a bad mother, you have to know that, but I may have done some hurtful things to my only child because I had to protect her. Had to. All because of skin privileges. At first I couldn’t see past all that black to know who she was and just plain love her. But I do. I really do. I think she understands now. I think so.

More here: Sweetness.

3. Our dear photographer friend here  at somanystories.ug, Darlyne Komukama, has a new exciting project she is working on. Inspired by FitClique Africa’s Mildred Apenyo’s Ted Ex Talk (go on and follow that link), Darlyne seeks to document women asserting ownership over their own bodies. Her first subject was Mildred Apenyo here: My Body Is A Dictatorship

I love Darlyne’s work and I am quite happy to see how she has grown as a photographer over the last couple of years and this particular project is one I am proud of! Well done, Darlyne!

If you would like to be photographed, send an email to darlkom@gmail.com with the ‘Body Dictatorship’ as the subject line.

And our Valentine’s Day Specials:

4. Let me just say that no Ugandan writer is writing heart-warming romance like Rich Wagaba is currently doing. His writing makes me feel things I could never express even if I tried. Trust me on this one. This guy is good!

Here is Wagaba in:

How To Love A Woman’s Feet:

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In The Beautiful Scars

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And again in: Dear You Girl Who Plays Kwepena With My Heart

I think I’d be fine if you didn’t understand me better than anyone else.

If my father didn’t smile when we went to see him because he knows you make me so much better. If it wasn’t your voice I heard pushing me to hold on just a little longer when my body’s weak and the day disastrous. I’d be fine if you were just a pretty smile and apple-bottom babe, some hollow vessel through which I’m meant to define manhood. But I could fill novels with all the ways I love you and I’m done pretending it’s okay to live without you or as some asterisk on your romantic history.

Infact Muwado, where the above piece is featured, is running a love letter writing competition. You have until Friday February 13, 2015 to take part.

To read the other love letters on Muwado, check: MuwadoLoveLetter

5. On the evening before Valentine’s Day, do go for the Love, Romance n’ebigenderako Mu Kampala Poetry Reading organised by BN Poetry Foundation. If you are a poet, go with a poem you can read.

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6. If the girl you are eyeing is a Muganda, Lydia Namubiru has done you a favour and written something on How To Marry A Muganda Girl. Very funny read!

7. In closing, A Telephone Call by Dorothy Parker is an old favourite of mine. For those of us that will be sitting by the phone, willing it to ring, it might interest you to know that someone who was a teenager in 1909 knows exactly how you feel.

This is silly. It’s silly to go wishing people were dead just because they don’t call you up the very minute they said they would. Maybe the clock’s fast; I don’t know whether it’s right. Maybe he’s hardly late at all. Anything could have made him a little late. Maybe he had to stay at his office. Maybe he went home, to call me up from there, and somebody came in. He doesn’t like to telephone me in front of people. Maybe he’s worried, just alittle, little bit, about keeping me waiting. He might even hope that I would call him up. I could do that. I could telephone him.

 Have a wonderful week and happy love day and whatnot.

 

7/7 is Sooo Many Stories’ way of helping you beat the Monday blues (or Tuesday Blues if they slipped into your Tuesday by mistake). 7 things that are making me happy in the literary world that will make you happy too!

7/7: A new poetry collection, festivals and storytelling

1. Kampala writes Bremen: For about three weeks now, writers and literature enthusiast have been exchanging ideas on writing, their writing processes, the writing scenes in Kampala and Bremen on Bremen & Kampala: Spaces of Transcultural writing. It’s really amazing how much you can learn when you open your mind and listen to other people’s experiences. Do check out the blog and read about other writers’ writing routines, reading and writing prose, writing and public life, and different writers’ thoughts on writing, literature and life.

Have a look at my input on making a living from writing and let us know if you are making money from your writing, how you are doing it and how you charge for your work.

2. On the same blog, I talked about my writing group and what impact they have had on my reading and my writing. As if I could not get any more inspired by them, Harriet Anena (journalist, poet, short story writer), went ahead and published her very first collection of poems.

A Nation In Labour has been described as, “….a mature selection by a seasoned poet who enjoys her work and displays all the mastery of a wordsmith for whom words and lines of poetry are tools of the trade that don’t intimidate her“. I believe those words because they are the words of Professor Laban Erapu. Yes, that Laban Erapu whose poems raised us!

To get a copy for yourself, call 0781412975 for delivery within the CBD or try the Femrite offices on Kira road. In Gulu, you can get a copy at Favor FM and Nothern Uganda Media Club offices.

Look out for a review of the book and a chat with the author here.

3. Kenyan Blogger, James Murua has done us all a favour and compiled the 2015 African literary festivals. Save the dates. If you’re in Kampala there are four festivals to look forward to: The Writivism Festival (June 18-22), BN Poetry Festival (August 5-7), Storymoja Festival (September 16-20) and  The 2015 Kampala Writers’ Festival (October 6-12).

More details on each of the festival, here.

4. As writers, we often ask ourselves what kind of stories we need to write/ what kind of stories need to be told/ what stories do we need to read as readers. This is Alex Ikawah’s take on the stories we need to tell:

The lack of local content in the market has given foreign stories and content a foothold in the local market that will not only prove hard to shake, but that if not shaken will transform local tastes and expectations in favour of foreign content and make it even more difficult for local content to gain the approval and acceptance of audiences. It is not because these stories are told better but because stories based on our own culture are simply unable to compete. Writers, filmmakers, publishers, and distributors will have to understand that local content needs help. Only a conscious and targeted effort to put these stories in the hands of local viewers will have any chance of success. More here: The Stories We Need To Tell

5. I have suggested before that reading challenges are a great way to get yourself to read books that you would otherwise never read. Personally, I am trying out Sci-Fi/Fantasy/Magical realism, a genre that I have never really had interest in. Kinna Reads is hosting an Africa Reading Challenge that some of you may be find interesting. Follow this link for details.

6. If you interested in fantasy, you will be happy to learn that African literary blog, Brittle Paper launched an African Fantasy Story Series. Here is In the Shadow of Iyanibi, Part 1 and Part 2 by Eugene Odogwu and why the author chooses fantasy over realism.

7. I’ll leave you with Aleya Kassam’s In Your Thirties.

Shame is a controlling animal. It demands. Don’t be fully you. Be less.

It will strike you as odd, how this message of shame is often enforced by women. This will niggle at your brain, and you will pick at it, like a toothpick probing at the bright orange mango stuck in between your teeth. You will talk about it with your mum, hands cupping hot mugs of masala chai, deeply inhaling the familiar comfort of cardamom. You will realise, women have taken this role on, the education of shame, as a survival mechanism. They know that women have to look out for women, teach girls how to behave in a man’s world. Shame is self-defense. More of In Your Thirties.

I hope the rest of your week is wonderful!

What Shall We Name This Child: Behind The Scenes

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I have attended poetry recitals by The Lantern Meet Of Poets since their very first recital and I have always been curious about the process of putting together a recital. They allowed me to join them for one of their rehearsals. In the second segment of this post, Bwesigye Bwa Mwesigire talks to one of the performers for more insight into what this recital is about.

I (Nyana) met the poets in the Green Room at The National Theatre in the evening and the session began with one of the members asking how our day was. Patrick Massa, the Director/Producer of the recital walked in at around that time and asked the members to gather around for some games. All phones were to be in silent mode so as not to interrupt anything.

I did not quite get the use for the games until Massa explained the reason behind the first game, the falling game. In the game, different members were to let themselves fall and the members in the circle had to run and make sure that the falling member did not really fall.

“Fall. Take a risk and trust these people. You are going to perform with these people and that takes trust too,” He encouraged.

The next game was to reenact the emotions that he called out. From anger to happiness to shyness to surprise, we were asked to reenact them with the person nearest to us and at some point, we had to do so without uttering any words. Because I am not a natural performer, this was a hard task for me and I was so grateful I did not have to perform. Most times I giggled when I should have been swearing that I was going to cut off someone’s head. Afterwards, we were asked to share what we had learnt from that game:

Performing is about shared energy. The energy you give the audience is the same they will give back to you.

Sometimes the audience is a mirror of your performance. Prepare well and package the performance well so they can feel the emotions you want to convey.

Sometimes it is hard to be angry when there is no need to be (Oh so that wasn’t just me?). Hold onto a memory that may have made you feel that way before.

Be as creative as you can be.

After the games, all chairs were moved to the same side of the room for performers to perform infront of us. All around me, lips were moving as the performers went over their lines, their faces sometimes cringing at a line forgotten. Memories of moments when we would be chanting the order of the periodic table right before a Chemistry exam in high school came rushing.

One by one, performers took to the stage, some still reading their poems off a piece of paper, others reaching into their memories for lines they had been going over. As the audience, we were asked to give honest feedback to the performers so they could see what they could do better.

“I promise. This is the last time I am reading from this paper,” promised one performer.

“Can we do it again?” said another after stumbling over a couple of lines.

You’re giving us, the audience, a cold shoulder. Look at us. Involve us.

I’m trying to give you feedback without using words that are harsh.

How do you feel about that performance?

Record your performance and listen to it and see if you like what you hear.

Each poet stood and took the feedback, made notes and in some cases where the interpretations of the poems were different, queried the feedback. They stood, vulnerable and took note of what was good and what was very bad.

Watching fellow poets perform
Watching fellow poets perform

Remember, the stage is yours.

Do you believe in the message of the poem?

That poem does not need to be recited. It needs to be acted.

You have become a predictable performer. Your words are emphatic enough, no need to overdo it.

I can’t wait to see the transformation the performers will have undergone for the performances today and tomorrow!

Below Bwesigye bwa Mwesigire, talks to Jason Ntaro, one of The Co-founders of Lantern Meet of Poets  forthcoming recital among other things.

Jason Ntaro gives feedback to another poet
Jason Ntaro gives feedback to another poet during rehearsals

BM: How did you join the Lantern Meet of Poets? Were you writing poetry before then?
JN: I joined the meet by invite. I got a phone call from Guy Mambo on a Saturday evening. The meet was to be the next day, Sunday. No I was not writing poetry. I used to think it a way to meet chicks, nothing more.

BM: How has the Lantern Meet of Poets contributed to your personal growth as a poet?
JN: I used to be a very unfocused young fool. I had no real purpose in life. The Meet introduced me to real passion. I learnt how to feel and so, how to write.

BM: Between performance poetry and written poetry, what do you enjoy most?
JN: I love them both! The thing is that each offers a different angle. On stage I get to speak and people get to really see the emotions in me. With written poetry I can explore and play with words and get good feedback.

BM: Are there poets recruited from your schools project featuring in this week’s recital?
JN: Come and see…

BM: What is your role in this week’s recital?
JN: I am mainly a performer, but as an “ooooold” man, I give a bit of help wherever I can.

BM: Why should someone come and attend the recital, in your view?
JN: I believe that no one will leave without asking themselves a question on who they are.
We have been fed the idea that who we are has almost nothing to do with your livelihood. We have abandoned tradition and traded it for something strange, foreign. This recital asks questions that need to be asked… By one to one’s self.
BM: Thank you for being generous.

These recitals are always are delight to watch. Hopefully, I’ll see you there!

The Law of The Land | Ernest Bazanye

Photo by Edward Echwalu  https://echwaluphotography.wordpress.com/
Photo by Edward Echwalu
https://echwaluphotography.wordpress.com/

 

Nicholas was a peculiar and unusual idiot, one who managed to be singular, even in a city as stupid as this one. Nicholas stood for MP in his constituency. He won because this is the way parliaments get populated: idiots avail themselves and are voted in. Nicholas’ particular talent was gibberish. While the typical MP spoke clear and distinct nonsense, Nicholas could craft tangles of wolokoso so profound that they often left the listeners slightly impressed, and a bit dizzy.

One day in the plenary Nicholas’ colleague Frank was having a nap. All of the signs were there -the contented smile on Fred’s face, the occasional twitch on that smile, the hands crossed over Frank’s belly, the eyes hidden behind heavily reflective spectacles and, of course, the fact that Frank was in plenary. Suddenly, without warning, well, without warning to those who don’t check the Parliament notice boards, a troop of school children appeared in the gallery. There were about fifty of them, all crew cut and high-pitched and restless, led by a thin dark woman with lipstick that looked even redder against skin so dark.

Frank awoke to see the little horde screeching and squealing as the woman waved her hands up and down. It took him a moment to realise that she was not trying to make them stop. She was conducting them and they were singing the national anthem. Frank arrived at his wakeful senses as the little school choir crested the last verse and began the final slide home. A school’s tour had decided to give the honourable MPs a treat. They were failing because no one was treated by such an awful sound as they produced, but something was coming out of this, which was that the Frank Gitta, MP, was slowly discovering that he liked them skinny and dark.

The speaker applauded and the teacher chaperone bowed and let the children curtsey as they ended the song.

“Wew dan, chudren, wew dan!” smiled Speaker Kiconco. “Very good singing the national ansem. Good to see patrotic chudren.”

The children looked pleased with themselves and shuffled bashfully.

“Weya you from?” asked Speaker Kiconco.

Much to Frank’s surprise, the answer was not the Planet Squealion in the galaxy Screechiax where everything sounds like an avalanche of saucepans. The teacher raised her lithe arm and, as she had conducted the cacophony before, conducted the answer.

“Shining Star Primary Secondary Day And Boring School Nazzeena, thank you please!” they chorused.

“Yowa from Nazzeena?” smiled Speaker Kiconco, evidently so pleased to, for once, have a group of people who answered his questions simply and directly. “Do you wan to meet yowa memba of payament, chudren of Nazzeena?”

There was a small honest pause before the teacher’s glare, sweeping over the huddled crowd of kids, assured them that they had better want to meet him. “Yeeees, thank you please!” they chorused.

“Will the Honourable memba from Nazzeena please rise!” commanded Speaker Kiconco proudly.

Frank was awake enough by now to remember that he was the Honourable member from Nazzeena. A microphone that worked was passed to Frank and he launched into a typical MP speech. Many words spoken, none of them meant. Many gestures, stern and grand, none of them sincere.

“We commend the youth of Nazzeena for flying the flag of Nazzeena high and for using their talents to blah blah showing great patriotism yadda yadda we could all learn from these leaders of the future tomorrow blah blah we should do our part to promote patriotism, blah blah…” and by the time he sat down to wait for the children to leave so that he could continue his nap, he was satisfied that he had nailed it.

He spent the rest of the morning dreaming about the thin teacher and wondering whether she would be impressed by a parliamentary visit to her school. Too bad he had already forgotten its name.

Frank woke up to a rude shock, the next day, not from his nap that afternoon. The next day the newspaper, on page three, where they print the parliament news, said this, “Nazzeena MP Gitta Proposes Patriotism bill.”

“The member proposed a bill to encourage patriotism…” it said. He didn’t read any further because no one does. All you need is the headline. And the headline said he had promised to make unpatriotic behaviour illegal. Frank looked at the cup of tea next to his newspaper and sighed. It was the weary sigh of a man who knew that he would be spending the rest of the next few weeks swearing to people who didn’t want to listen that, “No, that’s not what I meant.”

The city loved their Parliament for one thing, the fact that Parliament was one of the easiest ways to get that sweet dopamine rush that comes from being righteously outraged. By providing citizens with things to complain and rant and rave about, Parliament served as a convenient alternative to alcohol during the daytime hours.

When Mrs Gitta walked past the breakfast table, Frank wondered whether this would be a good day to finally murder her. Get rid of the bitch and make the newspapers forget the patriotism story both at the same time.

Fortunately for Mrs Gitta, Nicholas, her husband’s colleague, didn’t read newspapers and so she got to live. Nicholas spent his mornings picking out nice suits, shiny shoes and blingy watches because the best part of being an MP to him was being able to afford posh clothes. He dressed himself well, with his healthy parliamentary allowances, not just because he liked the look, but because he liked the attention. The best thing about the democratic process for him had been that he could court attention professionally now.

As he got out of his government- provided Toyota Harrier to enter the House of Parliament courtyard that day, he saw a pair of young men fumbling with black bags at the door to the chambers. It was, he discovered, a TV camera and microphone in the bag. Those rookie TV reporters, he thought, who haven’t yet learned that there is precious little news this early in the day. But there they were, and there no other MP was. They had their equipment and their eagerness to get a story, and when there is a camera, especially a camera this early in the morning, when ones suit still looks fresh and ones face is resplendent in recently applied lotions, one feels compelled to make the most of it. So when they asked their question, Nicholas would not just say “What patriotism bill?” He had to sound parliamentary and, more to the point, honourable, and so he launched into it with verve.

“Patriotism is a vital component of any society. It is crucial. In fact, and I am not afraid to say this, it is the glue that holds a society together!”

He was well practiced in this particular form of rhetoric. It was something of a personal art to him and he often practiced at home before his mirror. Repeat the point in three ways. Two synonyms and one metaphor, garnished with something that makes the words sound heavy and hard, like “I am not afraid to say” or “I must add” or “and you may quote me on this”. It made him feel that he sounded just like Malcolm X.

“What exactly is in the Patriotism Bill, Honourable?” asked the cub reporter.

“The Patriotism Bill, basically, in a nutshell,” began Nicholas, “Is about encouraging an atmosphere of patriotism, about encouraging a state of brotherhood among our countrymen, in fact, I would go so far as to say it is about reminding one another that love for your nation is the greatest love of all!”

The cub reporter scribbled it all down. Nicholas was pleased. He grinned at the camera with extra beams and the sheen from his European toothpaste reflected back from the lens. The reporter, being inexperienced, still nevertheless thought it would be necessary to get an actual straight answer from the MP about what on earth the patriotism bill was, so he tried one more time. “So, what does the bill entail, Honourable?”

“It is about courage. It is about valour. It is about, and I am sure you will agree that it is time for this, about standing up and saying to all the world that we are proud of our nation.”

The reporter was one of those saddled with one of the great obstacles to progress in his trade: integrity. He was clearly frustrated by now. He had stopped writing. Nicholas noticed this but interpreted it differently. He took this to mean that he was not being impressive enough. He would have to go harder.

“Yes. We need to make a stand. We need to rise up. We need to send a clear message to the world that we are not joking around. We are proud of who we are and whoever doesn’t like it, that is too bad!”

The reporter sensed that something, if not informative, then at least inflammatory, was coming. He positioned his pen again. This was a turning point in his career, even though he didn’t realise it. By surrendering the search for information and instead crouching to pounce on some sleaze, he crossed over from a cub to a real journalist.

“Too bad for those who don’t like it? What will happen to them?” asked the reporter.

“That is why we have a Patriotism Bill. To take care of elements like this. Noxious elements in our society. Poisonous people in our midst. We must have the strength and conviction to take action against those who stand among us but are not together with us.” he ranted. He even raised his finger now. It was, he felt, finger-raising time.

“Do you mean punish unpatriotic people?” the former cub pounced.

“We will pursue them where they hide, we will hunt them down where they congregate, and we shall bring them, yes, I say we shall bring them to justice!” Nicholas found himself dragging a nugget from a different speech out of his drawer of sound bites and hurling it into the air.

“Thank you very much, Honourable,” said the reporter, whose instincts were kicking in very fast. He already knew that when something so incendiary was on record he had to get out of there and turn off his phone and be very far away before the MP realised what he had just said.

The next day the news headlines were strident and strong all across the papers, which had picked up the story from the TV news the night before. While Nicholas watched telenovelas with his girlfriend and Frank deepened his Johnnie Walker debt at his local bar, the editors of the city’s newspapers were stopping the presses. “Did he just say that?” was echoed throughout newsrooms all across the town as the TV stations crackled out the Honourable Nicholas Mwanje’s words.

The Unpatriotic Will Be Punished

Be Patriotic or Be Arrested

Parliament to Clamp Down Hard on Unpatriotic

Be Patriot or Pay The Price!

…and, because there is always that one newspaper that believes that scandalous news is never scandalous enough when all it contains is mere truth, there was also the spicy, Love Uganda or Be Hanged!

Frank could not have been happier that morning. He even made physical contact with his wife- he brushed past her on his way out of the house- and did not cringe in disgust. He marched into the house of parliament beaming with the confidence that comes from knowing that nobody cares about him and nobody was going to bother him. All his sins had been lifted and placed on the shoulders of another.

Nicholas meanwhile, was feeling much happier. You would think he would be unnerved by the fact that the whole nation was wondering how he expected to carry out his plan to find and execute people who didn’t show as much love for the nation as he wanted to see, but that was not bothering him at all. Instead, all Nicholas saw was attention. Attention from all sides. The press gallery was baying for him and he couldn’t be happier. He imagined this is what Jay-Z must feel like. If Jay-Z performed in suits.

The great thing about democracy is that it involves all varieties of people. Even though the majority may get all the attention, the minority also have a chance to get their influence in. Sometimes this works in a skewed way, where it isn’t the majority versus the minority of numbers, but rather the majority of noise versus the minority of whispers discreetly hissing under the clamour.

Nicholas railed and ranted to the reporters, who gleefully wrote down, recorded and filmed every explosive sound bite, especially when he really caught flight and began to hypothesise about tribunals to assess the degrees of suspects’ patriotism and determine the severity of their punishment. It was while he described camps in which to inter those deemed unpatriotic for special lessons in the right ideology that Frank, instead of sleeping away the day, decided that for once he could actually do some work while in parliament. He typed some notes down on his parliament iPad and sent them off to his assistant, who set to work, zipping the paperwork around.

The next day’s headlines read, in a variety of poses, Parliament to Debate Patriotism Bill and the journalists, human rights advocates, diplomats, talking heads, Twitter and Facebook users, radio presenters, TV commentators all wrung their knickers into gordian twists trying to decide how evil it was to suggest that a person might perhaps be allowed the right to not be patriotic. The riddle was made so thorny by the fact that no one wanted to say what they really thought, except for Nicholas Mwanje, who wasn’t even thinking at all.

Meanwhile, the one thing that was not in the headlines was that parliament also voted to extend a fresh allowance credit to all members. They quickly and quietly voted some extra bucks into their pay and while Nicholas was beaming off the screen on the news that evening, the special guest on a popular talk show, Frank cleared his Johnnie Walker debt at the bar, and ordered another drink.

Democracy is made of all sorts of people. Men and women. Rich and poor. Good and evil. But mostly, the stupid and the cunning- and is won by those cunning enough to take advantage of the stupid.

 

Ugandan writer, Ernest Bazanye is well known for his weekly column Bad Idea in The New Vision. You can read more of his craziness over at Ernest Bazanye. Shut Up. I’m Thinking.

His new book Chandler and Frasier: Kampala’s Most Wanted is available on Amazon. Buy it. For his The Neverman Project: Short Fiction Experiments, go here. For a free download of his The Ballad of Black Bosco, go here.

7/7: And… we’re back!

 

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Happy new year, dear reader! I apologise for the absence. I took some time off the Internets to read more books, write and notice the people around me. A lot of times I get carried away talking about books and my actual writing actually doesn’t get done. It was so good for me to step away for a bit and plan ways #SsmUg can be a better place for us all in 2014. I enjoyed the time away and as you can imagine, one of my resolutions (yes we still do resolutions) is: Less Internet. More Books. This must be a little confusing since #SmsUg is an online platform but sometimes I start at the dashboard of somanystories.ug and then open 13 other tabs on my browser, none of them about writing or reading. So less pinterest. More books in 2015.

I am so happy to see you this year and I look forward to all the wonderful things we are going to accomplish. Let’s get this party started.

1. Have you heard about the Bremen & Kampala: Spaces of transcultural writing? Let me tell you about it.

bremen kla

 

This January, Ugandan playwright, Deborah Asiimwe, Ugandan story-teller Ssekandi Ronald Ssegujja and I will be sharing experiences as writers in Kampala with German writers Nikolas Hoppe, Jens Laloire and Nora Bassong. If you are a writer, you know how lonely it gets sometimes. Most times the solitude is great especially when the ideas are flowing and you actually love what you are creating. But sometimes, especially when you doubt whether you are on the right track, you need people to bounce ideas off of and to learn from. And so this month we get to share our writing processes, tools, finding an audience for our work, balancing writing with other aspects of our lives, how being at home or away from home affects our writing and the differences and similarities between the Bremen and Kampala Literature scenes. Besides the fact there is a lot to learn from fellow writers, it is good to know that I am not alone on this journey.

Meet the authors, follow conversations and contribute to the conversations here: Bremen & Kampala: Spaces of transcultural writing

2. The year closed off with the publication of Daniel Kalinaki’s Kizza Besigye and Uganda’s Unfinished Revolution. Kalinaki, the former Managing Editor of The Daily Monitor says he wrote the book to find out what motivates Rt Col Dr Kizza Besigye’s political struggle and to reflect on the politics of Uganda for the past 30 years. Anyone who has read Daniel Kalinaki’s columns in the papers knows he is a brilliant writer and if politics is something you, dear reader, are interested in then this is a book you might love.

The book is available at Mukono Bookshop, Nice Book Centre in Naalya and Bookpoint Uganda.

3. The Femrite Readers/Writers Club is back. To start the new year, they will be hosting Kenyan writer Ciku Kimeria, author of Of Goats And Poisoned Oranges today at the Femrite courtyard.

Her book “tells a story about the tumultuous marriage of a middle aged couple – Wambui and Njogu – living in Nairobi. Wambui is a graduate with a Bachelor of commerce degree from the University of Nairobi. Njogu on the other hand – a cobbler’s son who dropped out of school at standard three – is a driver turned businessman. The disparity in their backgrounds soon becomes a problem in how they relate to each other, and with their relatives. They soon have to deal with infidelity and its consequences, which they both try to work through quite determinedly.”- Perfectly Woman

Come on over and meet Ciku Kimeria at the Femrite Club at 5pm.

4.The Lantern Meet Of Poets will present another recital on 23rd and 24th January at The National Theatre. What Shall We Name This Child? will explore the theme of culture and identity. Using the hastags #LanternIdentity and #WhatsInAName, share what your name means on their Facebook page or twitter.

Do save those dates.

5. Do you think it’s too soon to talk about Valentine’s Day? BN Poetry Award does not think so. If you’re a poet, you should be penning down a poem you will read at the Love, Romance nebigeenderako poetry reading that will take place of February 13 at t 32° East | Ugandan Arts Trust. Follow the BN Poetry Award Facebook Page for updates and details.

Save The Date: Love, Romance nebigeenderako
Save The Date: Love, Romance nebigeenderako

6. If you have nothing to look forward to this week, the Jalada Afrofuture Anthology should take you out of your misery. The anthology will be launched on January 15. As you wait, read the prelude by Binyavanga Wainaina here: “Wangechi Mutu wonders why butterfly wings leave powder on the fingers, there was a coup today in Kenya.”

7. In the spirit of taking stock of 2014 and preparing for 2015, here are some questions:

  • If someone wrote a book about your life in 2014, what kind of genre would it be? A comedy, love story, drama, film noir or something else?
  • What do you want the overarching theme for your 2015 to be?

I wish you all a wonderful, wonderful new year and thank you so much for making 2014 very special for Sooo Many Stories. Here is to true love, pure joy and great books!

#SoooManyLanterns: The Ghosts Are Coming | Anisha Nakimuli

"I knew your sickness, but I couldn’t help. See, there were no drugs on my shelves. Photo by Edward Echwalu
“I knew your sickness, but I couldn’t help.
See, there were no drugs on my shelves.
Photo by Edward Echwalu

Grey walls, white mists, clinical coats
Mulago bleeds.
She breathes her last.
For the eyes that see no more- the morning is black
The ears that hear no more- the screams are piercing
Shivers, sweats, fears
Death knocks at a mother’s door.

But is it her death, alone? No.

How about the foetus that never knew nine months of life?
The one that suffered the miscarriage.
How about the baby who never cried her first cry
And the mother cried instead as she suffered a still birth?
How about the young woman who gave a new life but lost her own?
How about the boy who buried his mother
Because the oxygen-tank was a luxury the hospital couldn’t bear?

She grits her teeth
Her head pounds with the ugly rhythms of guilt
She feels responsible; didn’t she swear the Hippocratic Oath?
Her coat is no longer white; it drips with the blood of her dying and moaning patients
It drips down her brow like beads of sweat
Their agonising screams jolt her up every night.

‘Mulago! Mulago!’ The voices scream,
With pain, with fury, with rage.
‘We came to your gates but you gave us no rest!
We were sick but you gave us no medicine,
We were bleeding but you left us sore.

They want her to explain,
They saw her in there in her white coat,
They toss and turn in their graves,
They seek answers.

She quivers, her heart thuds and she stutters:
‘I was but only a doctor
I did all I could to save you
I knew your sickness, but I couldn’t help.
See, there were no drugs on my shelves
I desired to heal your wounds but the hospital stock
Was always empty.

They scream back at her:
‘But did we not do our part?
Did we not pay our taxes on time?
Did we not vote right?
Did we not wear the leaders’ faces on our shirts?
Aren’t your corridors crawling
With cold corpses of our mothers and our babies?
Did we not give to Caesar what belonged to Caesar?

She retorts:
‘But I am not my own boss,
Those medicines and bandages,
I only use, I do not buy
Those doctors and nurses,
I only house, I do not pay.’
Go then beyond these grey walls
And seek your answers not from me but from them.

From them whose duty it was to buy medicine for your leukemia but didn’t,
Them, who ignored your HIV and your diabetes for their 4-by-4s,
Them, who trampled upon your wounds and your pain for new presidential jets,
Them, who let your sons and mothers perish to fatten their stomachs
Those are the ones who led you to your graves
Not me.
Seek your answers from them
Not me.’

And now the ghosts are coming
The ghosts are on their way
The ghosts are coming
They are coming for you.

Anisha Nakimuli  kicks off our new series #SoooManyLanterns with her poem The Ghosts are Coming. Nakimuli wrote this poem last year aged 12 at the time. She had just joined Nabisunsa Girls School as a student in Senior One and discovered her passion for poetry. She joined the Rhymers Poetry Club in her school and began to share some of her amazing work. This poem has been performed on various platforms in Uganda.

Read more about The Lantern Meet’s schools outreach programme here: #SoooManyLanterns: A Lantern Meet of Poets and Sooo Many Stories collaboration

The Rhymers Poetry Club and St Mary’s College Kisubi are presenting a poetry show- A Verse in Vac- this evening. Do pass by and see what more these young poets have in them.

verse in vac

#SoooManyLanterns: A Lantern Meet of Poets and Sooo Many Stories collaboration

The Lantern Meet Of Poets is a creative community that makes lovers of words like me happy to know them. They started as a community of poets and poetry enthusiasts seven years ago who met occasionally to read poetry to each other. The community grew as members invited more of their friends who enjoyed poetry. They have staged 12 productions over the seven years for the Lantern Meet, and over 15 in schools over the past three years. They have published two poetry anthologies: Gathering Grains of the Wind and Broken Voices of the Revolution.

A couple of years ago, Lantern Meet Of Poets started going out to schools and looking for younger writers that were interested in poetry. Sooo Many Stories is delighted to partner with Lantern Meet of Poets to bring you some of these poems that they have discovered along the way. The poems will be featured in our new series #SoooManyLanterns starting tomorrow.

I met with the President of the Lantern Meet of Poets (or the Lamp as he is referred to), Peter Kagayi Mutanga and he tells us more about this inspiring project.

Peter Kagayi Mutanga. The Lamp of the Lantern Meet Of Poets
Peter Kagayi Mutanga. The Lamp of the Lantern Meet Of Poets

When did you start going to schools and what made you want to go there?
We started in 2009 but the idea was a bit fuzzy. Later in 2011 we rolled it out again. We knew what we could offer to the younger generation if given chance to nurture them into writers and performers. We wanted to make creative writing fun, pragmatic and a reality of life to them.

Which schools have you been to since you started?
We have been to 10 schools over the past three years with immense success: Nabisunsa Girls School, Gayaza High School, Kings College Budo, St Mary’s College Kisubi (SMACK), St. Lawrence schools, Turkish Light Academy, Lakeside College, Old Kampala S.S.S, Vine Christian International School and most recently St. Mary’s Kitende.

But student culture travels fast and add to that their nature of competitiveness and you have the culture of poetry trailing in more schools. So there are schools we have not been to but the poetry culture has already been started by teens who “do not want to miss out”.

What exactly do you teach these students? Writing? Performing or both?
We teach the students how to write, critique, recite and publish poetry, how to organise poetry recitals, leadership and the art public speaking. We also teach them how to answer questions in their various classes and subjects.

What’s the process like? Do you follow the same procedure of production as with Lantern Meet or do you do something else?
Each school has its own culture so we tether the project according to the school social fibre. For example boys respond to a certain kind of poetry, while girls have their own preferences. A single-sex school cannot be approached like a mixed school, neither can a day school like a boarding. Add the social aspects: Ivy League schools have different approaches too. But everywhere we maintain the Lantern Meet standards of poetry critique (the circle, anonymity of writer, the trim critique, the scheduled meets et al), poetry quality, structural organisation and poetry recitation.

What shocked you about the kind of work that you received from the writers?
It was at Nabisunsa that the project took ground. We were not shocked, but rather surprised out of our wits by the level of conscientiousness. The girls took their writing seriously and many had poems scribbled in diaries and exercise books. In fact some even had poetry collections. After the first three months, we were astounded by the response to the project that we had to devise mechanisms of keeping them interested throughout the year.

What we finally realised was while not everyone can be a good writer, a good writer can come from anywhere. The students who recited became excellent entertainers, at times even outperforming the Lantern Meet. The writing became better with time. Some students have already become professional writers in media houses around Kampala. They became that good.

You have helped some of these schools stage recitals. How much help do you give?
We give our all. We take the school productions as if they were our own. The administrations are kind enough to let us help but with time we teach the students to organise their own shows. Now the students of Nabisunsa and SMACK mostly do the work. St. Mary’s Kitende is the cherry on the top; the students we worked with last year from three different schools found themselves together early this year and started a writers club in Kitende. They met to critique each other’s poetry, organised a poetry show and later contacted us to help them with establishing vision, purpose and, of course, to recite for them.

What challenges have you encountered with this outreach programme?
The biggest challenge has been the initial adjusting to the demographics of a community and them adjusting to us. All communities respond to us differently. What the project thrives on more than anything is trust; of the student, administration, parents, theatre, the Lantern Meet audience and mostly, us that can make it.

In some schools it took more time. In Nabisunsa we were accepted almost right away; Gayaza took two years; SMACK took over six months; in Kitende our reputation preceded us, as was in St. Lawrence, Turkish Light and Vine Christian International. In Budo, we were first rejected because we did not want to get paid! It was suspicious.

The biggest lesson we have learned can only be surmised in one quote: “it is easier to build stronger children than repair broken men”.

What the challenges of these younger poets? What are their fears? And what are some of the things that, knowing what you know now, you always make a point to teach them?

Forgive the hyperbole but OhMyGod there are many broken families! If only society knew! The students eventually gather the strength to face the truth and share it, but it is easy to see most of them do not know “why a caged bird sings”. They do not know how to interact with their parents beyond the obligatory response to their orders, they hardly know how to deal with emotions, thoughts, logic, and are abjectly ignorant about their own heritage. Their fears range from mistrust, ignorance of the world and fear of the unknown, the lack of ambition, the school system (jail, as some students in a given school call it) and mostly how to live well around their own parents.

We share with them a lot that we did not know at their age. Before we get started with the poetry we make it a point to teach them the basic concepts of logic, thinking, listening, reading, culture, anatomy, ma’at (truth, balance, law), arithmetic, astrology, the history of their own country, school community and family lineages, among other things. We also encourage them to read widely, buy newspapers daily, purchase novels and share them with friends. We also share our personal views on these matters with them. The order and choice of scheme is determined by a given school’s demography.

Tell us about the Rhymers Poetry Club. Was that started by you (Lantern Meet) or the poets themselves?
The Rhymers is a club of writers, performers and poetry enthusiasts that was started by the students of Nabisunsa themselves. They chose its name, colour and symbol too. Initially the school Administration was against the idea that there should be a poetry club with the reasoning that they should be catered for under the Writers’ Club. But the impression the girls made on the administration -the numbers that joined (at times we could have a circle of over 50 for a poetry meet,) and the reputation it was consolidating outside (the parents were left in awe of the discovered talents of their children)- left the Administration little choice but to let the girls nurture their own entity. But the club’s structures are those of the Lantern Meet.

The membership is not only restricted to students of Nabisunsa. Some of the founder members moved to other schools and initiated poetry clubs in schools like Gombe S.S.S., Kibuli SSS, Hawa S.S.S. Tthere are Rhymers who are not students of Nabisunsa and have never stepped there but e-mail their poetry to the club for critique and it is sent back to them. In the other schools, the poets are categorised under the school’s writers’ clubs.

Tomorrow (December 5, 2014), there is a poetry show called A Verse In Vac by St Mary’s College Kisubi and The Rhymers of Nabisunsa. What do we need to know about it?
A Verse in Vac is as the title suggests. Students in vacation who enjoy poetry recitation decided to organise a poetry show. It is a combination of Nabisunsa Girls School and SMACK poets and reciters. The Lantern Meet and Uganda National Center for Culture (UNCC) are just playing the role of mentor. Otherwise it is mostly their effort.

 

verse in vac

Thanks for this, Kagayi.

Starting tomorrow, look out for some great poems from the people that have been so ably nurtured by the Lantern Meets of Poets in our new series #SoooManyLanterns. Pass by the National Theatre on Friday and have a glimpse at what the future looks like.

Lessons on self-publishing from Oduor Jagero…and a giveaway (Closed)!

Oduor Jagero
Oduor Jagero

Oduor Jagero is a Kenyan journalist, documentary script writer, poet and novelist. Jagero is in Kampala to launch his first novel, True Citizen. The self-published author will be launching his novel at the Goethe Institute on Thursday December 4 at 6pm. I thought we could learn a thing or two on self-publishing and Jagero was happy to share his experience.

How long have you been writing?
It would be an exaggeration to say that I started long, long time ago. I started writing in high school. I loved reading and so at some point, I decided to experiment and tell stories. I wrote lots of poetry and later, short stories. After studying Journalism and Mass Communication, I decided to write seriously and professionally. I wrote musicals, plays and poetry. As a lover of novels, it was obvious that I would have a go at it. I went to Rwanda to research on my first and yet-to-be published novel. After that, I decided to pen the story of a matatu driver and his tribulations in the hands of the corrupt traffic police, which is True Citizen.

You have written the award-winning musicals: Colour of God, Confessions Of a Harlot, Eyes on the Rock, and Makmende Vies for President. Writing a novel vs. writing a musical?
My forte is writing dialogue, which is what makes plays and musicals. Writing novels is different because of the relative complexity in plot and structure. Character development is easier in plays, I would say. Novels are also obviously longer in word count in most cases and that makes them harder. The other thing is my plays have been for performance so performers can rearrange sentences to suit their performance. In novels on the other hand, you must be extremely worried of easy reading.

A journalist, a photographer, a businessman. How do these inform your writing and how do you manage to squeeze in time to write?
Journalism is about writing and photography is an art just like writing. In a sense, they’re two friends who listen and appreciate each other. My business, which is organising events and production, is also a creative job that has many gaps I can easily utilise to satisfy my roving writing appetite.

Tell us about your self-publishing journey. Why did you choose to go down that route?
I don’t think it’s a secret anymore that publishers in East Africa are astute businessmen who believe more in the text books trade and not fiction. They believe, and they’re right to some extent, that pleasure reading is not doing very well in this part of the world. So they develop cold feet towards creative writing. We also have NGO-ish publishers who have a very peculiar way of choosing who to publish. They tend to be wooed more by the prize winners rather than obscure talents and these publishers tend to be elitist and go with their friends, which I think is human. One of those publishers told me that they would read my book in a year’s time. Then after reading, which might take another six months, they would say yes or no. If it’s a no, I am back to square one. If it’s a yes, it would take another year or two to start the process. It’s understandable but heart-wrenching.

So what do people like us do? We fight. We look for finances to offset editing, proofreading, design, print and marketing. This can deplete your resources. All of them. But I am a businessman and risk is part of my trade.

If I am a budding writer, with what I think is a great manuscript but no money to cover the costs that come with self-publishing, how do I get my book published?
You have two choices. Both are difficult by the way: one is to send your work to a publisher that you know might be interested in your type of work. This is painstakingly a long process and as I have said, you risk getting frustrated by the number of “we’re not receiving unsolicited at the moment” or “not for us”. You could also be lucky and get a very quick yes.

The other alternative is to brave it and lunge into the cold field of self-publishing. But again you have no money. You’re doomed? Not really. You can speak to relatives and friends to help you gather resources for your book. Those that have read your awesome short stories, poetry and all the flash fiction you have been throwing around will help you. Your rich mother or father can boost your kitty. If you know a book editor, go to him/her and convince him/her that your book is gonna be a bestseller and she/he cannot afford not to have his/her name on it. Then there are NGOs with too much money. Write them a proposal. Overall, don’t listen to people who say that humans have become too selfish. Those are alarmists. Man is innately good.

How do you ensure quality as a self-published author?
If a self-publisher has to get a good quality book, they have to look at what they do in traditional publishing, which is giving the manuscript to authoritative readers and critics who will tell them whether the book is publishable. They will then hire an editor, a proof-reader and all the rest. A professional designer would then come into play to ensure that good printing is then done. I did all that.

How has marketing your book been like? What have you learnt?
Marketing is tough and it’s all unto you. You have to talk to people, create networks, and make friends. I extensively used Social Media and the press.

What made you want to take your book beyond Kenya and come to Kampala?
My book is a story set in Kenya but with a story line that a Russian will relate to. The pain of a mother losing a child to a deadly disease is one that will resonate with a woman in Budapest, or Istanbul, or Manchester City. I view my art as something that would interest any human.

What do you think we should do to improve these cross-border literary relationships?
Networking and pulling as a team. Spreading the word by ourselves and loving what we have here. It’s a cliché but I will say it: let’s build our own prizes and market them properly. Let us not worship the Caine Prize and Commonwealth Short Story Prize. Let us treat them as prizes among many. But if we worship the Caine Prize and Commonwealth, we will only know the winners and subsequently praise their works even if some of them are badly written.

In terms of traffic woes and corruption, True Citizen is a story of everybody that has lived in a big city. What made you think: I absolutely have to tell this story?
I am a son of the big city Nairobi. It’s a city with a chaotic transport system just like Kampala. When you stay in those long and winding traffic jams for a long time, you want to write about it.

You have lived in Kigali, Kampala and Nairobi. How do these three cities compare?
Kampala and Nairobi are big cities. Both are overwhelmed by huge populations while Kigali is smaller, cleaner and saner. The traffic in Kampala compares very closely with the Nairobi one. Kampala is relatively safer than the thuggish Nairobi but Nairobi is more developed and has better amenities than Kampala. But Kigali will surpass both in the future because of working laws and tight control by the government.

What fascinates you about Kampala?
I love the sight of boda bodas. Each and every day, it looks like there is a festival only for boda bodas. And when traffic opens, it looks like the Abu Dhabi Grand Prix has been flagged off. It’s as scary as it is a beautiful site. I have taken taxis only twice because staying in the traffic in the high temperatures is hard. I love the food culture here; although the Lords of Junk have landed here, traditional foods still hold sway. At least you’ll hold this cancerous lifestyle at bay a little longer.

Who is your favourite Ugandan author?
I like Ugandan poetry and short story writers. I have been reading a lot of Beverley Nambozo’s poems and Harriet Anena’s short stories. To be very honest with you, I have not been exposed to African literature except the old ones such as poems by Okot p’Bitek. But now I am reading compilations of short stories by Writivism, Poetry by Beverley Nambozo, and now that Makumbi’s book (Kintu) is back to the stands, I’m gonna have to get it.

Jagero has given #SmsUg a copy of his book, True Citizen for one lucky reader. In the comments below, tell us: What is your most memorable experience as a road user (as a driver, a passenger in a taxi, a boda boda user) in Kampala?

 

a Rafflecopter giveaway

Terms:

1. The winner receives an autographed copy of the book.

2.  The winner will be chosen by a random selection widget.

3. Giveaway is open to Ugandan residents only.

4. Giveaway closes on Monday December 8 at Midnight Uganda time.

You are who, you? #KITF2014

Full disclosure: I am not a theatre person. Apart from the plays we read in school as part of the curriculum, my knowledge of theatre is very limited. When people tell me they love theatre, I usually put them in the same category as people who love to go to the museum(an unsustainable passion in Uganda) and people who love bird watching (too mzungu).

The last time I went to watch a play was December last year and it was one of those experiences you want to block from your memory and pretend they never happened. The play was five hours long and every so often the actors would stop to recap for people that might have come in late, forgetting the rest of us that had been there the whole time. There was some good acting but there was mostly horrible, horrible acting. When I was not holding an imaginary gun to my head and blowing my brains out, I was in tears because of some of the things they said. I don’t know why but we stuck it out to the very end and got ourselves a horrifying “there is this one play we went to watch” story that we sometimes tell our friends.

When the Kampla International Theatre Festival came around, I thought I could interview Deborah Asiimwe (Sundance Institute Theatre Program staff member and co-curator and producer of the festival) for the blog. I sat at my desk for hours and I could not find the right questions to ask. So I decided I would go to the theatre as a learner. To learn how to enjoy this and to see what good theatre possibly looks like.

I am very thankful that the first play I watched on Wednesday was Ster City (South Africa) because now I am thinking, “If the rest of them are like this, then I am in the right place!”

Nick Welsh and Lindiwe Mitshikiza in Ster City Photo by  Daniel Gilbert Bwette for #KITF2014
Nick Welsh and Lindiwe Mitshikiza in Ster City
Photo by Daniel Gilbert Bwette for #KITF2014

Ster City is about prehistoric and present day South Africa presented by Dominique Lentin (on instruments), Lindiwe Matshikiza and Nick Welsh (acting). Remember The Great Trek and The South African Wars and The Boers And The Zulu Kingdom and all that stuff we learnt in South African history in high school? It was all there but better delivered than your high school history lessons.  The play opened with Lindiwe speaking French and my dusty French got itself worried sick but Nick later came in with English translations infused with Luganda words. When I heard the Luganda I thought they had asked some Ugandans to take part in the play but then Nick showed up on stage and he is South African. And white. They had me at that point.

Throughout the play, they used dance, videos, music and a play on lights to tell the story, all the while using English, French, Luganda, and some languages from South Africa. They explained the physical setup of South Africa and how it came to be and drew comparisons between South Africans and Parisiens.

A map of South Africa projected onto Nick's torso.  Photo by Daniel Gilbert Bwette for #KITF2014
A map of South Africa projected onto Nick’s torso.
Photo by Daniel Gilbert Bwette for #KITF2014

It sounds like a boring educative play but it was far from it. They showed the audience how South Africans dance with their faces (and not just their waists) and how they once saw a woman in Paris who was trying to dance but her waist could not move at all. Lindiwe showed how she has to act crazy when she has to move around Jo’burg at night and is scared. And then of course came the point when Lindiwe asked : Nick, are we going to talk about apartheid?

 

IMG_8348

 

It’s the most obvious question everybody has on their minds when it comes to South Africa. Earlier on before the play, the delegate from the South African embassy had spoken  about the theme of this year’s 20 year celebrations of South African democracy: South Africa has a good story to tell. With Ster City, you could tell that there are many stories about South Africa that could be told: good stories, bad stories, stories that confuse them (You are who, you? Don’t speak English, Nick. Don’t speak, French Nick. Don’t speak Afrikaans, Nick). There are stories about mixing and intergrating and also, understanding each other in the face of all this history.

After the play, in an audience interview with Nick and Lindiwe, they revealed that they have staged the play in 11 African countries and they try to learn as many of the languages as they can so they now know words from about 40 languages.

Lindiwe, Nick and KITF's Faisal Kiwewa after the play.  Photo by Daniel Gilbert Bwette for #KITF2014
Lindiwe, Nick and KITF’s Faisal Kiwewa after the play.
Photo by Daniel Gilbert Bwette for #KITF2014

Lindiwe: We translate a few lines and record their pronunciations and spend many hours perfecting that.
Nick: Luganda was not so hard because it is similar to the Bantu languages in South Africa.

Ster City was a good one to start with because it made me look forward to the rest of the festival. The festival is still going on till Sunday with more plays over the weekend. There are plays from Rwanda, Kenya, Tanzania, Ethiopia and Uganda today. Here is the programme: Kampala International Theatre Festival

All photos (used with permission) are by Daniel Gilbert Bwette for Kampala International Theatre Festival. Thank you, Bwette.

6 Months Today (yay!) And New Submission Guidelines

6 months final

 

Can you tell? Can you really?  Can you tell that I could not wait to celebrate our six months milestone? You got me! I have been so excited that last month I brought out the confetti only to realise that it was only five months then. I tucked away the confetti but I did a little dance anyway. You wonder what I’ll do when this baby turns 18 and is legal? I wonder too.

I would like to thank you for reading, for sharing, for commenting and being excited about Sooo Many Stories (#SmsUg). I am very happy that I did not give up on this blog after two weeks and I am happy to see where it is now and where it is going.

I want to thank all the writers that have trusted me with their work and people who have agreed to meet me and have interviews! Darlyne, Echwalu: thank you for lending us your genius and adding loads of Ugandan-ness here.

 

Names final

 

And because we are growing, one of the things I would like to add is the Submission Guidelines page. I have been getting questions on who should submit and when they should. I hope these guidelines help to clear this. This is the page the writers need to look at and you, reader/book club member, must read for that book review you have been dying to do.

Here you go:

We publish all genres of literature, as long as the story is great and well told. Poems are open-themed as well.

All submissions must be in English save for proverbs, legends, myths, riddles and folktales that can be submitted in our local languages with their translations. Kindly make sure that basic spellings and grammatical rules are adhered to.

All submissions must be previously unpublished. Exception will be given to reprints as long as the writer has the rights to it and the story is not accessible on another website.

Read the rest of the rules here: Submission Guidelines.

Also, you have three more days to take part in our giveaway. Go on and tell us: If you could create an African Superhero, what name would you give him/her/it and what would they be able to do?

Thanks again for writing,  reading and sharing!

-Nyana


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